Headers

How to finish the top of a window

Open roll, fascia, cassette or a built wood cornice — and which one decides whether a bedroom actually goes dark.

The header is whatever covers the top of the window and the roller tube behind it. There are four: an open roll leaves the tube exposed; a fascia is a slim L-shaped cover across the front and underside; a cassette is an enclosed headbox the fabric retracts into; and a cornice is a built box, usually painted wood with returns to the wall. A valance is the soft version — a fabric panel across the top, decorative rather than structural. The cassette and the cornice do the most about the light gap; a valance does the least.

Four ways to finish the top of a window

The four headers, in section

Cut through the head of the window and look sideways. Same shade every time; only the header changes.

Four ways to finish the head of a window, in section Four cutaway sections at the same scale. Open roll: the tube is exposed and the head is open. Fascia: an L-shaped cover across the front and underside, open at the back and top. Cassette: an enclosed box around the tube, closed on front, top and bottom. Cornice: a deeper built box with a return, enclosing everything. Open roll Fascia Cassette Cornice
Diagram: the gold arrows mark the light path over the top of the roll. An open roll leaves it wide open and a fascia narrows it; a cassette encloses the tube on front, top and bottom, and a built cornice with a return closes it and hides the brackets as well. The trade is depth — a cornice needs the most, an open roll none at all.
HeaderWhat it isWhat it hidesLight gap at the topDepth needed
Open rollNothing — the tube and brackets are exposedNothingWide openNone
FasciaA slim L-shaped cover across the front and undersideThe tube, from the roomReducedA little
CassetteAn enclosed headbox the fabric rolls up intoThe tube, front, top and bottomMeaningfully closedMore
CorniceA built box, usually painted wood, with returnsThe tube, the brackets and the trackClosedMost
ValanceA soft fabric panel hung across the topThe hardware, looselyLittle changeVaries

The light-gap column is the one people have never thought about, and it is the one that decides whether a bedroom works.

We build the wood cornices ourselves

A built, painted wood cornice with proper returns is millwork. It is made to the opening, painted to the trim in the room, and it hides the tube, the brackets and the light gap in one move — which is how you tie a plain modern roller into a room with traditional millwork without either of them looking out of place.

It is also the thing a workroom can do that a catalogue cannot. A cornice is not a stocked part; it is cut, assembled, filled, sanded and painted for one window. We build them here, over 40 years into doing it.

A painted wood cornice header built in our workroom, over a woven roller shade.
The cornice-to-shade junction: painted millwork above, a woven roller shade below. Built in our workroom and installed by our crew. Photograph of our own work.

Which one for which room

Bedrooms and nurseries

A cassette or a cornice. The gap over the top of an open roll is exactly the light that wakes somebody at six in the morning, and closing it is worth more than any upgrade to the fabric. More on getting a nursery dark.

Living rooms and sunrooms

Whatever suits the architecture. An open roll disappears in a modern room; a cornice gives a shade the weight to sit under existing millwork; a valance softens a room that is all hard surfaces.

Offices and commercial

Fascia is the clean, repeatable default across a floor — consistent from the street, and one unit can be replaced without rematching a discontinued header. Offices and managed properties.

Should you leave the roller exposed?

Honestly: often, yes. An open roll is the most minimal finish there is and it suits plenty of modern rooms, which is why it is the default. The trade-offs are real though — light over the top, dust settling on the exposed fabric, and visible brackets. In a bedroom or a nursery, where the top gap is precisely what wakes you, we would put something over it. The four compared in more detail.

Headers on a dual shade

Two tubes need a deeper header than one, so on a dual day-night shade the header is part of the design from the start rather than a decision made at the end. A header wide enough for two rolls.

Soft treatments live in the same conversation: a valance is drapery, and it is made the same way and from the same fabrics. See soft valances and drapery, or the roller shade underneath.

Questions people ask

What is the difference between a cornice and a valance?

A cornice is hard — a built box, usually painted wood or upholstered over a frame, with returns to the wall. It reads architectural and it hides the hardware and the light gap above a shade. A valance is soft — a fabric panel, gathered or tailored, hung across the top. It is decorative rather than structural, and it does much less about light.

What is a cassette on a roller shade?

A cassette is an enclosed headbox that the fabric rolls up into, closed on the front, top and bottom. It gives the cleanest modern finish, keeps dust off the roll, and closes the light gap at the top better than an open roll or a front-only fascia. A fascia is the simpler cousin: an L-shaped cover across the front and underside, hiding the tube from the room but not enclosing it.

Can a wood cornice go over a roller shade?

Yes, and it is one of our favourite combinations — the cornice hides the tube and the brackets completely, closes the light gap at the top, and lets the shade be a plain, quiet surface underneath. It is also how you tie a modern roller into a room with traditional millwork.

Have the header decided at the window

Depth, reveal and trim all decide this one, and all three are measured in the room.